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Shakespeare in Performance

Current and Forthcoming Shakespeare Productions in the UK

  March 2017 onwards

All the productions that we know about from the current month onwards are included in this list.

New indicates that a production has been added to the list this month.

indicates that the information has been changed or expanded this month.

[A] indicates an amateur production.
[P] indicates a professional production.

All's Well That Ends Well

Antony and Cleopatra

Royal Shakespeare Company. Directed by Iqbal Khan. Royal Shakespeare Theatre, Stratford-upon-Avon, 11 March – 7 September (01789 403493) [P]

As You Like It

LAMDA. Directed by Bill Alexander. POSK, London, 11 – 20 April (020 8834 0500) [P]

Theatre By The Lake and Shared Experience. The Theatre By The Lake, Keswick, 7 July – 4 November (017687 74411) [P]


Civil Brawl Theatre Company. Number One Shakespeare Street, Stratford-upon-Avon, 3 – 5 April (0783 7586597). Modern day setting with some gender-swapped roles. [P]

Comedy of Errors

Derby Shakespeare Theatre Company. Minack Theatre, Penzance, 14 – 18 August (01736 810 181) [P]


The University of Sunderland Faculty of Arts Design and Media (Part of SunFest 2017). The Arts Centre, Washington, 25 May (0191 219 3455) [A]

Royal Shakespeare Company. Directed by Angus Jackson, Sope Dirisu (Coriolanus). Royal Shakespeare Theatre, Stratford-upon-Avon, 15 September – 14 October (01789 403493) Public booking opens in late February. [P]



Almeida Theatre. Directed by Robert Icke. Andrew Scott (Hamlet), Juliet Stevenson (Gertrude). 17 February – 8 April (020 7359 4404) Booking opens 8 September. [P]

Directed by Pip Nixon. The Little Theatre, Leicester, 24 – 29 April (0116 255 1302) [P]


Hamlet (opera) by Brett Dean. Glyndebourne Theatre Company. Libretto by Matthew Jocelyn, directed by Neil Armfield. Glyndebourne, Lewes, 11 June – 6 July and 21 – 27 October (01273 815000); Marlowe Theatre, Canterbury, 3 November; Theatre Royal, Norwich, 17 November; Milton Keynes Theatre, 24 November; Theatre Royal, Plymouth, 1 December. [P]

Icarus Theatre Collective. Adam Smith Theatre, Kirkcaldy, 20 – 21 March (01592 583302); Macrobert Arts Centre, Stirling, 22 March (01786 466666); Hawth Theatre, Crawley, 29 – 30 March (01293 553636); Kings Theatre, Southsea, 3 – 4 April (02392 828282). Blending traditional and physical theatre with a musical score, Icarus Theatre Collective return to bring to life some of literature’s most vibrant language and characters in Shakespeare’s boldest, most exciting and action-packed tragedy. [P]

Boom Productions. The Lyric Theatre, Carmarthen, 22 – 25 March (0845 226 3510). Commemorate the centenary of the World War 1 with Shakespeares ‘Hamlet’. 1917 Germany declared unrestricted submarine warfare leading to America joining the conflict. Elsinore crown a new Monarch, while the emotionally volatile Hamlet questions life and existence. Enjoy this high quality artistic depiction of a classic that will leave an enriching experience for the Shakespeare follower. [A]

King’s Theatre, Portsmouth, 1 – 4 April (023 9282 8282). A company of seasoned classical actors embrace the brutality of the greatest play ever written. A gripping, ensemble style brings exhilaration and violence to the unforgettable music and delicacy of the words. Blending traditional and physical theatre with a musical score, this muscular production brings vividly to life some of literature’s most vibrant language and characters in a way you’ve never seen before: bold, exciting, and action-packed. [P]

The Lion King. Book by Roger Allers and Irene Mecchi. Music by Elton John, Tim Rice, Lebo M, Julie Taymor, Mark Mancina, and Hans Zimmer. Walt Disney Company. Directed by Julie Taymor. Lyceum Theatre, London, 24 September 1999 – (0870 243 9000); “A young lion grows up and learns that taking over the pride requires wisdom and maturity. Simba is the young lion, his wicked uncle is Scar and his father, killed by his uncle, is King Mustafa.” [P]

Rosencrantz and Guildenstern are Dead by Tom Stoppard. Directed by David Leveaux. The Old Vic Theatre, London, 25 February - 29 April 2017 (0844 871 7628). [P]

Henry IV, pt.1


Henry IV – a Pub Wake. Bronzehead Theatre. Eagle & Child, York, 14 – 18 May (part of the York International Shakespeare Festival) (01904 623568); Ilkley Moor Vaults, 19 – 20 May; Kirkstall Bridge Inn, Leeds, 23 May; Crowd of Favours, Leeds, 24 – 25 May; Helmsley Walled Garden, York, 26 May; So! Bar, Ripon, 30 May; Wig & Mitre, Lincoln, 1 June. The King is dead. Long live the King. Join Falstaff, Hal and the regulars at the Boar's Head Tavern to raise a glass to the dear departed. Through music, tears and laughter, Bronzehead follow their critically acclaimed Richard II with Shakespeare's elegy to the young and the old in the face of death. Here's to bad role models and wasted lives, absent fathers and prodigal sons. [Adaptation of both parts] [P]

Henry IV, pt.2

See above.

Henry V


Henry V (Man and Monarch). Directed by Philip Parr. Brett Brown (Henry V). Theatre Royal, York, 19 – 20 May (01904 623 568). In a bold one-man adaptation of the classic play, award winning Australian actor Brett Brown, plays Shakespeare’s hero king, from his reckless youth, to his coronation, to his victory on the battle field of Agincourt, as he balances the creation of a power base through military authority at Agincourt, with the loss of camaraderie with the common man. [P]

Henry VI, pt 1

Henry VI, pt 2

Henry VI, pt 3

Henry VIII

Julius Caesar

Royal Shakespeare Company. Directed by Angus Jackson. Royal Shakespeare Theatre, Stratford-upon-Avon, 3 March – 9 September 2017 (01789 403493) [P]

Directed by Robert Hastie. Crucible Theatre, Sheffield, 17 May – 10 June (0114 249 6000) [P]

Grosvenor Park Open Air Theatre, Chester, 23 June – 27 August (0845 241 7868) [P]


Royal Shakespeare Company’s Learning and Performance Network. Hall for Cornwall, Truro, 28 March (01872 262 466). Young people from Launceston College and surrounding Cornish Schools come together to bring to life Shakespeare’s iconic tale of political intrigue and conspiracy. Julius Caesar is a fantastic celebration of the achievements of children and young people involved in the Royal Shakespeare Company’s Learning and Performance Network, a long term programme where schools work with artists and practitioners from the RSC and Hall for Cornwall. [A/P]

Bristol Old Vic Theatre School. Julian Glover, Lynn Farleigh (performers). Bristol Old Vic, Bristol, 9 June – 1 July (0117 987 7877). Building on the brilliant success of King Lear in 2016, Julius Caesar will bring together theatre legends Julian Glover and Lynn Farleigh with the stars of tomorrow from Bristol Old Vic Theatre School for a contemporary production of Shakespeare's most famous political drama. [A/P]

King John

King Lear

The Actor’s Wheel Theatre Company. Desmond Tutu Theatre, University of St Mark & St John, Plymouth, 10-12 May  (; New Theatre (also Cygnet Theatre), Exeter, 24 May (01392 277 189); Sterts Theatre (near Liskeard), 25 May (01579 362382); Barbican Theatre, Plymouth, 27 May (01752 267131) [P]

Directed by Nancy Meckler. Shakespeare’s Globe Theatre, London, 10 August – 14 October (020 7401 9919) [P]

Directed by Jonathan Munby. Minerva Theatre, Chichester, 22 September – 28 October (01243 781 312) [P]


Primary Shakespeare – King Lear. Orange Tree Theatre, London, 13 May – 10 June (020 8940 3633). 4 actors performing an abridged version for children. [P]

Love's Labour's Lost

Royal Shakespeare Company in collaboration with Chichester Festival Theatre. Directed by Christopher Luscombe. Edward Bennett (Berowne).  Theatre Royal Haymarket, London, 9 December – 18 March (0845 481 1870). [P]


The Dukes Young Actors. Directed by Liz Stevenson. The Dukes Theatre, Lancaster, 22 – 25 March (01524 598 500) [P]

The AC Group. Jack Studio Theatre (previously Brockley Studio Theatre, London, 4 – 22 April (020 8291 6354) [P]


Splendid Productions. Blake Theatre, Monmouth, 8 February (01600 719 401); Quarry Theatre, Bedford, 7 March (01234 362335); Waterside Arts Centre, Sale, 17 March (0161 912 5616). An hour long creative adaptation of Macbeth. A dagger-sharp cast of three take down Shakespeare’s classic tale of ambition, betrayal, murder and manipulation in a boiling hell-broth of tragedy, comedy, physical theatre and song. [P]

Macbeth – Folie a Deux. Minimum Wage Theatre Company. Brindley Arts Centre, Runcorn, 23 June (0151 907 8360). The Macbeths are a killer couple incarcerated for murder. Yet who really is to blame? Macbeth, Lady Macbeth or is it a case of shared madness? Maybe the answer lies in the psychological condition of folie a deux - which describes individuals who would perhaps not commit a crime but when put together commit the ultimate crime. Minimum Wage Theatre Company stage an innovative and startling multi-media interpretation of Shakespeare's timeless and universal classic tragedy. [A]

The Macbeths by Alexander Raptotasios and Manolis Tsiipos. Pleasance, London, 18 – 30 April (020 7609 1800). The Macbeths are hosting a dinner party. There will be food, drinks and karaoke, because enjoying yourself is always important, and entertainment is at the heart of every tragedy. But someone always has to pay in the end. Set as an immersive dinner party with karaoke, this new take on Shakespeare’s classic tragedy is exploring how we consume violence as spectators and when we switch our empathy “on”. Comedy, tragedy, disco and a lot of food will mix together as the dead are leaving the stage and joining the auditorium. You have nothing to worry about. You do not have to do anything. You can just watch. Have a drink and a snack or two. [P]

Wyrd Sisters by Terry Pratchett. Adapted by Stephen Briggs. Bolton Little Theatre, 6 – 11 March (01204 334 400). [A]

Measure for Measure

Cygnet Theatre Company. New Theatre (also Cygnet Theatre), Exeter, 22 March – 1 April (
01392 277 189) [P]

The Merchant of Venice


The Merchant of Venice (opera) by André Tchaikowsky. Welsh National Opera. Royal Opera House, London, 19 – 20 July (020 7304 4000)  [P]

Gratiano: Grist to the Mill. Written and performed by Ross Ericson. Studio, York Theatre Royal, 18 May (01904 623568) [P]

Merry Wives of Windsor

Festival Players. Directed by Michael Dyer. Glastonbury Abbey, 25 August ( Part of UK tour, dates and venues to be announced. See for further details. All-male production [P]

A Midsummer Night’s Dream

Directed by Joe Hill-Gibbins. The Young Vic, London, 16 February – 1 April (020 7922 2922) [P]

Act One (The Yvonne Arnaud Youth Theatre). Directed by Lucy Betts. Mill Studio (Yvonne Arnaud Theatre), Guildford, 30 March – 1 April (01224 620 011) [A]

Further Stages Theatre Company. New Wimbledon Studio Theatre, London, 8 – 9 April (0870 060 6646) [P]

NK Theatre Arts. The Forum Theatre (also Romiley Forum), Stockport, 24 – 27 May (0161 430 6570) [A]

Grosvenor Park Open Air Theatre, Chester, 9 June – 27 August (0845 241 7868) [P]

Chapterhouse Theatre Company. Hampton Court Castle Gardens, 15 June (01568 797777); Dunster Castle and Gardens, 17 June; Nottingham Castle, 7 July; Dunham Massey, Cheshire, 8 July (0844 2491895); Oxburgh Hall, King’s Lynn, 14 July; Gunby Hall and Gardens, Spilsby, Lincolnshire, 15 July (01754 890102); Framlingham Castle, 16 July; Newstead Abbey, Ravenshead, Notts, 21 July; Flatford, East Bergholt, Essex, 28 July (0844 2491895); Carew Castle, Pembrokeshire, 6 August (01646 651782/ 651657); Lanercost Priory, Nr Brampton, Cumbria, 13 August (0370 3331183); Tynemouth Castle and Priory, Pier Road, Tyneworth, Tyne & Wear, 17 August (0370 333 1183); Elsham Hall Gardens, Brigg, North Lincs, 20 August (01652 688698); West Wycombe Park, High Wycombe, 26 August; Gilbert White and The Oates Collections, Selbourne, Hampshire, 27 August (01420 511275). Some dates to be confirmed, check website for details. [P]

Castle Theatre Company (University of Durham). Glastonbury Abbey, 12 July [A]


A Midsummer Night’s Dream (ballet). Ballet Cymru and Riverfront Theatre. Music by Felix Mendelssohn. Choreography by Darius James.  Blackwood Miner’s Institute, Blackwood, 24 May (01495 227206); Corn Exchange, Kings Lynn, 31 May (01553 764864); Borough Theatre, Abergavenny, 2 June (01873 850805); Performing Arts Centre, Lincoln, 4 June (01522 837600); Charter Theatre, Preston, 7 June (01772 80 44 44); Waterside Arts Centre, Sale, 10 June (0161 912 5616); Pontio, Bangor, 15 June (01248 382828); The Roses Theatre, Tewkesbury, 16 June (01684 295074); Lighthouse, Poole, 22 June (01202 280000); Brewhouse Theatre, Taunton, 23 – 24 June (01823 283 244); Gordon Craig Theatre, Stevenage, 27 June (01438 363 200); Courtyard Theatre, Hereford, 29 June (01432 340555); The Haymarket, Basingstoke, 30 June (01256 844244); Gaiety Theatre, Ayr, 5 July (01292 288235); Grand Pavilion, Porthcawl, 7 July (01656 815995); Corn Exchange, Newbury, 8 July (0845 5218 218); Garrick Theatre, Lichfield Festival, 9 July (01543 300191) [P]

The Dream (ballet). Choreographed by Frederick Ashton. Music by Felix Mendelssohn. Royal Opera House, London, 2 – 10 June (020 7304 4000). Part of a triple bill in tribute to Frederick Ashton. [P]

Daniel Taylor Productions. Epstein Theatre (formerly Neptune Theatre), Liverpool, 25 – 29 April (08448 884 411) [P]

A Midsummer Night’s Dream (opera) by Benjamin Britten. Aldeburgh Festival Orchestra. Snape Maltings Concert Hall, Aldeburgh, 9 – 14 June (01728 687 110) [P]

Young Actors Company. Corpus Playroom, ADC Theatre, Cambridge, 30 March – 1 April (01223 300085). [A]

Thisbe by Samantha Sutherland. Door Ajar Theatre Company. Aberdeen Exhibition and Conference Centre (AECC), Aberdeen, 10 March (01224 620 011); Theatre Royal, York, 21 – 22 March (01904 623 568). ‘The course of true love never did run smooth’ the daughter of Helena and Demetrius discovers there was never a truer word spoken in this actor-musician follow up to Shakespeare's popular comedy, A Midsummer Night’s Dream.  Fourteen years have passed since the fateful night Thisbe’s parents, Helena and Demetrius, were lost in the woods. The only thing they remember is waking up completely in love with one another. But as their love becomes obsession, where does this leave their neglected and confused daughter, Thisbe? Cue the prankster Puck and his fairy flunkeys who love nothing more than to meddle with the mortal world. With the promise of solving all of her problems, they lure Thisbe into the woods where it isn’t long before she finds herself embroiled in their roguery.  Intoxicated with magic and adventure, has Thisbe gone too far this time? Can she stop her family falling apart? And does she even want to? [P]

Much Ado About Nothing

Love’s Labour’s Won or Much Ado About Nothing. Royal Shakespeare Company in collaboration with Chichester Festival Theatre. Directed by Christopher Luscombe. Edward Bennett (Benedick). Theatre Royal Haymarket, London, 9 December – 18 March 2017 (0845 481 1870).  [P]

Directed by Matthew Dunster. Shakespeare’s Globe Theatre, London, 14 July – 15 October (020 7401 9919) [P]


Shit-Faced Shakespeare – Much Ado about Nothing. Leicester Square Theatre, London, 11 April – 16 September (08448 733433). The smash-hit, internationally acclaimed, award-winning, multi sell-out fringe phenomenon is back in London with a new show for 2017: Much Ado About Nothing. Shit-faced Shakespeare is the hilarious combination of an entirely serious adaptation of a Shakespearian classic with a single, entirely shit-faced cast member. With one cast member selected at random and given four hours to drink before every show we present to you classical theatre as it was always meant to be seen. With a gin in one hand, a cup of wine in the other and a flagon of ale in the other... What could go wrong? https://leicestersquaretheatre  [P]


Young Actors Company. Directed by Matt Feast. Mumford Theatre, Anglia Ruskin University, Cambridge Campus, East Road, Cambridge 21 – 22 March (
01223 352932). Abridged version in a double-bill with Romeo and Juliet. [A]


Shakespeare at the Tobacco Factory. Directed by Richard Twyman. The Tobacco Factory Theatres, Bristol, 16 February – 1 April (0117 902 0344); Northcott Theatre, Exeter, 9 – 13 May (01392 493 493) [P]

Shakespeare’s Globe. Directed by Ellen McDougall. Sam Wanamaker Playhouse, London, 23 February – 16 April (020 7401 9919)  [P]

SISATA. Bread and Roses, London, 22 – 24 June (020 7498 1779) [P]


Otello (opera). Directed by Keith Warner. Royal Opera House, London, 21 June  – 15 July (020 7304 4000). [P]

Birmingham Royal Ballet Triple Bill: Arcadia/Wink/The Moor’s Pavane. Everyman Theatre, Cheltenham, 5 – 6 May (01242 572 573). José Limón’s The Moor’s Pavane distils the passion and tension of Shakespeare’s Othello into a thrilling one-act tragedy, tightly focused on four characters and their jealousy. In the beautiful Wink, danced to music and the spoken word, Jessica Lang captures the poetry of five Shakespearean Sonnets. Finally, in Arcadia the ancient god Pan is unleashed, as Birmingham Royal Ballet’s Ruth Brill makes her first commissioned piece to a new score composed by renowned saxophonist John Harle. [P]

Waiting for Othello. Directed by Jan Naturski. Studio, York Theatre Royal, 17 – 18 May (01904 623568). Two half-African, half-European actors meet, at auditions for the role of Othello.. Both are children of immigrants, and both are looking for their identity - split between two continents and cultures. When is the colour of our skin a problem? And when it is an advantage? The answer is hard to define - as hard as the role of Othello, which for our characters is a dream, but also a curse. [P]



Pericles – All at Sea. Multi Story Theatre Company. Everyman Theatre, Cheltenham, 8 – 9 March (01242 572 573). A tale of turbulent times and tempestuous seas inspired by Shakespeare’s fantastical story of shipwreck, love, loss and redemption. [P]

Richard II

Clatterhouse Theatre Company. Drayton Arms Theatre, London, 15 March – 1 April (020 7835 2301) [P]

Richard III

Northern Broadsides Theatre Company. Directed by Barrie Rutter. Hull Truck Theatre, Hull, 4 – 27 May (01482 323 638); The Viaduct, Halifax, 30 May – 3 June (01422 255 266)  [P]


Richard III – One Woman Show. Brite Theater. Directed by Kolbrun Bjort Sigfusdottir. Nottingham Playhouse, 3 March (0115 941 9419); Scottish Storytelling Centre, Edinburgh, 15 – 16 March (0131 556 9579); The Place, Bedforshire, May[date tbc]; Abbots Kitchen, Glastonbury Abbey, 13 May [P]

Romeo and Juliet

West Yorkshire Playhouse. Directed by Amy Leach. Quarry Theatre, WYP, Leeds, 3 – 25 March (0113 213 7700) [P]

Directed Daniel Kramer. Shakespeare’s Globe Theatre, London, 22 April – 9 July (020 7401 9919)  [P]

Directed by Paul Hart. Watermill Theatre, Newbury, 10 May – 22 July (01635 46044); Theatre Royal, York, 16 – 20 May (01904 623 568); Yvonne Arnaud Theatre, Guildford, 24 – 27 May (01483 440 000); Everyman Theatre, Cheltenham, 5 – 8 July (01242 572 573) [P]

The University of Sunderland Faculty of Arts Design and Media (Part of SunFest 2017). The Arts Centre, Washington, 27 May (0191 219 3455) [A]

Everyman Company. Directed by Nick Bagnall. Everyman & Playhouse, Liverpool, 27 May – 7 June (0151 709 4776) [P]

Butterfly Theatre Company. Glastonbury Abbey, 14 - 16 July Promenade performance. [P]


I Capuleti e i Montecchi (The Capulets and Montagues) by Vencenzo Bellini (opera). Popup Opera. Off Quay, London, 7 March; Shelley Theatre, Bournemouth, 11 March; Teignmouth Classical Music Festival, Devon, 12 March; Spirella Ballroom, Letchworth, 18 March; The vaults, London, 20 – 23 March; Black Mountains Barns, Hereford, 25 March; Hillside Brewery, Gloucestershire, 26 March; The Asylum, London, 2 April; Brunel Museum, Thames Tunnel Shaft, London, 4 – 5 April, West Wight Association 70th Anniversary, Freshwater, Isle of Wight, 8 April [P]

A Village Romeo and Juliet (opera). New Sussex Opera. Devonshire Park Theatre, Eastbourne, 2 April (01323 412 000). In this dark re-telling of Shakespeare’s play, childhood sweethearts Vrenchen and Sali are torn apart by their fathers’ feuding over land owned by the mysterious Dark Fiddler, who predicts revenge on anyone who tries to claim this wilderness. [P]

Young Actors Company. Directed by John Shields. Mumford Theatre, Anglia Ruskin University, Cambridge Campus, East Road, Cambridge 21 – 22 March (
01223 352932). Abridged version in a double-bill with Much Ado About Nothing. [A]

Studio 2, Theatr Clwyd, Mold. 6 – 8 April (01352 701521). [P]

Oddsocks Romeo and Juliet - Mods v Rockers. Oddsocks Theatre Company. Forum Theatre, Billingham, 13 June (01642 552 663); Guildhall Theatre, Derby, 14 - 16 June (01332 255 800); Belgrade Theatre, Coventry, 20 – 22 June (024 7655 3055); Penlee Park Open Air Theatre, Penzance, 26 August (01726 879 500). Oddsocks are delighted to be breathing new life into Shakespeare's Romeo & Juliet by giving it a musical Mods & Rockers theme. There's Nowhere to Run for the Capulets and Montagues as violent confrontation stalks every meeting, even Down at the Tube Station at Midnight. Meanwhile, Juliet's Nurse is looking forward to a good old Twist and Shout at the Capulet party, which Romeo's mates are planning to gatecrash. Romeo has doubts about going to the Capulet Nite Klub but that is where he meets his Juliet, and It Must Be Love. Maybe, just maybe, The Power of Love will end the families' violent feud. [P]

Romeo and Juliet - Merely: Romeo and Juliet. Merely Theatre Company (in association with The Production Exchange). Theatre Royal, Lincoln, 2 March – 3 March (01522 519999); Playhouse Theatre, Norwich, 8 – 9 March (01603 598598); Corn Exchange, Newbury, 14 – 15 March (0845 5218 218); Stantonbury Theatre, Stantonbury, 16 March (01908 324466); The Old Laundry Theatre, Bowness-on-Windermere, 21 – 22 March (01539 488 444); Wokingham Theatre, Wokingham, 23 – 24 March (0118 978 5363); Market Place Theatre, Armagh, 28 – 29 March (028 3752 1821); Island Arts Centre, Lisburn, 30 March (028 92 509 254); Down Arts Centre, Downpatrick, 31 March (028 4461 0747); The Space Theatre, Bangor, 1 April (02891471780); Greenwich Theatre, London, 19 – 22 April (020 8858 7755); Uppingham Theatre, Uppingham, 5 May (01572 820 820); The Old Town Hall, Hemel Hempstead, 10 May (01442 228 091); Lowther Pavilion, Lytham St Annes, 22 – 23 May (01253 794 221); Theatre, Royal, Wakefield, 24 May (01924 211 311). Merely present young love in all its raw and savage beauty, driving through action-packed thrills and tender intimacy to crushing loss. Five actors blast the company’s signature style of urgency, humour and clarity to conjure a stirring, visceral theatrical experience.  [P]

Romeo and Juliet - The Timeless Tale Reimagined By A Cast Of Five. Actors from the London Stage. Cockpit Theatre, London, 2 – 3 April (020 7258 2925). [P]

West Side Story. Music: Leonard Bernstein. New Alexandra Theatre, Birmingham, 23 – 26 August (0844 847 2302) [A]

The Taming of the Shrew


Kiss Me Kate. ­ Lancaster Royal Grammar School and Lancaster Girls Grammar School. The Dukes Theatre, Lancaster, 8 – 11 March (01524 598 500) [A]

Kiss Me Kate. ­Ilkley Playhouse. Minack Theatre, Penzance, 24 – 28 July (01736 810181) [P]

The Tempest

Royal Shakespeare Company. Directed by Gregory Doran. Simon Russell Beale (Prospero). Barbican Centre, London, 30 June – 18 August (0845 120 7550) [P]

Progress Youth Theatre. Progress Theatre, Reading, 11 – 15 July (0118 960 6060) [A]


Royal Shakespeare Company. Edited and directed by Aileen Gonsalves. Grand Theatre, Blackpool, 2 – 4 March; Intermission Theatre, London, 17 – 18 March; Studio Theatre, The Other Place, Stratford-upon-Avon, 23 – 25 March. For 8 – 13 year olds. [P]

Timon of Athens

Titus Andronicus

Royal Shakespeare Company. Directed by Blanche McIntyre. Royal Shakespeare Theatre, Stratford-upon-Avon, 23 June – 2 September (01789 403493) [P]

Troilus and Cressida

Twelfth Night

Clatterhouse Theatre Company. Drayton Arms Theatre, London, 17 – 31 March (020 7835 2301)  [P]

Directed by Paul Hart. Watermill Theatre, Newbury, 6 April – 6 May (01635 46044); Theatre Royal, York, 18 – 20 May (01904 623 568); Yvonne Arnaud Theatre, Guildford, 23 – 27 May (01483 440 000); Playhouse, Salisbury, 20 – 24 June (01722 320 333); Watermill Theatre, Newbury, 18 – 22 July (01635 46044). Reimagined in the 1920s where prohibition is rife and Europe is still reeling in the wake of war, this brand new production bursts to life. Fuelled by a scintillating selection of energetic jazz music, an outstanding ensemble of actors creates a dizzying and beautiful version of Shakespeare’s perfect play. The radical spirit of Duke Ellington, Django Reinhardt, Ella Fitzgerald and Louis Armstrong is fused with an innovative approach to staging and actor-musicianship to tell this timeless story of mistaken identities, seduction and transformation, balancing comedy, romance and tragedy in equal measure. [P]

Royal Exchange Theatre, Manchester, 13 April – 20 May (0161 833 9833). Directed by Jo Davies. [P]

Shakespeare’s Globe Theatre, London, 18 May – 5 August 2017 (020 7401 9919)  [P]

Rain or Shine Theatre Company. Glastonbury Abbey, 14 June ( Part of a national tour, dates and venues to be announced. See for details. [P]

Winchester Players. Minack Theatre, Penzance, 21 – 25 August (0136 810 181) [P]

Royal Shakespeare Company. Directed by Christopher Luscombe. Royal Shakespeare Theatre, Stratford-upon-Avon, 2 November – 24 February 2018 (01789 403493) Public booking opens in late February. [P]


National Theatre. Directed by Simon Godwin. Tamsin Greig (Malvolia). Olivier (National Theatre), London, 14 February - 13 May (020 7452 3000). [P]

Merely Theatre (in association with the Production Exchange). Theatre Royal, Lincoln, 2 March – 3 March (01522 519999); Playhouse Theatre, Norwich, 8 March (01603 598598); Corn Exchange, Newbury, 14 – 15 March (0845 5218 218); Stantonbury Theatre, Stantonbury, 16 March (01908 324466); The Old Laundry Theatre, Bowness-on-Windermere, 21 – 22 March (01539 488 444); Wokingham Theatre, Wokingham, 23 – 24 March (0118 978 5363); Greenwich Theatre, London, 19 – 22 April (020 8858 7755); Lowther Pavilion, Lytham St Annes, 22 – 23 May (01253 794 221); Theatre, Royal, Wakefield, 25 May (01924 211 311). Unlikely lovers come crashing together in this riotous and deeply tender comedy. Using just 5 actors, we use imagination and innovation to present identical twins, multiple disguises and mistaken identity in this tale of mischief and love.  [P]

Shakespeare Up Close. Directed by Alex Thorpe. Orange Tree Theatre, London, 18 – 26 March (020 8940 3633). In 90 minutes, 6 actors bring Shakespeare’s darkest comedy to life in a mischievous, feisty and fast paced production. [P]

The Two Gentlemen of Verona

The Two Noble Kinsmen

The Winter’s Tale

Cheek by Jowl Theatre Company. Directed by Declan Donnellan. Arts Theatre, Cambridge, 31 January – 4 February (01223 503 333); Theatre Royal, Bath, 22 – 25 February (01225 448844); The Playhouse, Oxford, 28 February – 4 March (01865 305 305); Warwick Arts Centre, 7 – 11 March (024 7652 4524); Mercury Theatre, Colchester, 14 – 18 March (01206 573948); Theatr Clwyd, Mold, 21 – 25 March (01352 701521); Barbican Theatre, London, 5 – 22 April (020 7638 8891); Bristol Old Vic, Bristol, 25 – 29 April (0117 987 7877)'s_tale.php#calendar [P]

Directed by Max Webster. Royal Lyceum Theatre, Edinburgh, 10 February – 4 March 2017 (0131 248 4848) [P]


The Winter’s Tale (opera). English National Opera. Directed by Rory Kinnear. London Coliseum, London, 27 February – 14 March 2017 (020 7632 8300) [P]

Poems and Apocrypha

Venus and Adonis. Royal Shakespeare Company. Directed by Gregory Doran. Swan Theatre, Stratford-upon-Avon, 26 July – 4 August (01789 403493) [P]

(in alphabetical order)

The Complete Works of William Shakespeare (abridged) by Adam Long., Daniel Singer, Jess Winfield and Reed Martin. Chorley Little Theatre, Chorley, 24 – 29 April (01257 275 123). All 37 Plays in 97 Minutes! An irreverent, fast-paced romp through the Bard’s plays. Join three madcap men in tights as they weave their wicked way through all of Shakespeare’s Comedies, Histories and Tragedies in one wild ride that will leave you breathless and helpless with laughter. [P]

The History of Cardenio by William Shakespeare, John Fletcher and Gary Taylor. Richmond Shakespeare Society and Cutpurse. Directed by Gerald Baker. Mary Wallace Theatre, Twickenham, 18 – 25 March (020 8744 0547 10am – 7pm only). [A]

Macbeth & Twelfth Night. Purple Cast Productions. Edited & directed by Wendy A Jeffries and George C Francis. The Bread and Roses Theatre, London, 21 March – 1 April (020 7498 1779). A double 'Bill' Shakespeare of Macbeth & Twelfth Night. Two of Shakespeare’s greatest plays brought to life by one cast! First up: The creeping horror of Macbeth, a tale of the dangers inherent in seeking power at all costs. This ominous masterpiece will be rich in atmosphere and darkness. To complement and contrast, Twelfth Night will be a light, fun, physical take on one of Shakespeare’s finest comedies! Both plays have been edited for clarity and accessibility, but retaining the original verse and language in order that anyone may enjoy them! [P]

Roman Tragedies. Toneelgroep Theatre Company. Directed by Ivo van Hove. Barbican Theatre, London, 17 – 19 March (0845 120 7550). Ivo van Hove’s epic is ‘one of the most audacious Shakespeare productions of the modern era’ (Time Out), and immerses you in the midst of the multimedia action. Set in a conference centre with multiple screens relaying non-stop media coverage, tautly edited versions of Coriolanus, Julius Caesar and Antony and Cleopatra unfold to form one flowing performance. Power, passion, ambition and national interests – this is the political game revealed in all its facets – with video close-ups amplifying the onstage drama. Roman Tragedies turns audience members into citizens, inviting them to move freely around the auditorium, have refreshments, view the protagonists from different perspectives and live tweet about the experience. First seen at the Barbican in 2009, the six-hour show combines brilliant ensemble acting, running from the cerebral to the raw, with astonishing stagecraft and an electric sense of immediacy. Performed in Dutch with English surtitles. [P]

What Country, Friend, Is This? York Theatre, Royal, 9 May (01904 623568). York Associate Schools Festival explores the themes of migration, separation and identity in extracts from Shakespeare’s shipwreck trilogy: The Tempest, Twelfth Night and A Comedy of Errors. [P]

William Shakespeare’s Long Lost First Play (abridged). Reduced Shakespeare Company. Pleasance, Playhouse Theatre, Norwich, 4 February 2017 (01603 598 598); Playhouse Theatre, Nottingham, 9 February (0115 941 9419); Chipping Norton Theatre, Chipping Norton, 11 February (01608 642 350); Birmingham Repertory Theatre, Birmingham, 14 – 15 February (0121 236 4455); Mercury Theatre, Colchester, 17 February (01206 573 948); Waterside Theatre, Aylesbury, 13 March (0844 871 7614); Wilton’s Music Hall, London, 28 March – 1 April (020 7702 2789); Richmond Theatre, London, 18 April (0870 060 6651); Princess Theatre, Torquay, 2 May (0844 871 3023); Regent Theatre, Stoke-on-Trent, 16 May (0844 871 7649); Grand Opera House, York, 20 May (0844 8472322); New Victoria Theatre, Woking, 23 May (0870 060 6645); Leas Cliff Hall, Folkestone, 25 May (01303 253 193). Acclaimed stars of the West End stage, the Reduced Shakespeare Company, bring their barnstormingly irreverent and breathtakingly hilarious celebration of our cultural heritage - as seen through the eyes of three Americans wearing trainers. In a better-late-than-never nod to the Bard's 400th anniversary, the bad boys of abridgement present this 'new' play by the man himself, as discovered in a Leicester car park! [P]

Your Bard written and performed by Nicholas Collett. Directed by Gavin Robertson. Royal Oak and Castle, Pevensey, 3 March; Wymondham Central Hall, 7 April; St James, Guernsey, 25 April; New Deer Public Hall, Aberdeenshire, 13 May; Kemnay Village Hall, Aberdeenshire, 14 May; Professor Nother is giving a talk about Shakespeare authorship in the function room at the Shakespeare pub – but he doesn’t believe the man from Stratford wrote those plays. That’s Will’s cue to kick the door off the hinges and defend his reputation. Come and meet the man himself and take the lid off a legend in your local. He’ll tell you all about his family, what it’s like on tour and the glory days at the Globe.  Queen Elizabeth I, Christopher Marlowe and Ned Alleyn – you’ll meet them too.  Intermingled with a few of his greatest hits - and maybe a sonnet or a song. [P]


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